Tuesday, May 22, 2007





I am copying a seascape I painted years ago - years and years ago. The original, seen here, was a painting I retrieved from my Grandmother's apartment when she died; it had hung over the mantel in her living room. It is a very reserved painting but not, I think, a dull one: there is a mystery and presence in its quietude. The copy is coming out quite differently - as if the thin serene shell of the painting's surface burst open and all the vitality underneath has come surging through dancing and shaking maracas.
What I ultimately want for this painting is to have it all: I want a sense that a veil of calm mystery barely contains the dynamic forces beneath and I want realism that barely contains abstraction.

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